“The style of painting is the same, but the lighting is more physically accurate. “Instead of being architectural, it’s an organic set of landscapes,” he added. The Renaissance look that Mielgo had in mind consisted of hand-painted backgrounds. “Simulating water that is on top and then underneath textures, where the light reacts differently.” “The underwater was very difficult,” Mielgo said. He wanted it to be dark and moody underwater. He additionally made underwater video reference for the textures and lighting. New Movies: Release Calendar for August 12, Plus Where to Watch the Latest Filmsīut first the filmmaker took a three-week road trip to Northern California, Washington, and Oregon in search of video reference for the forests. 'Wednesday' Trailer: Catherine Zeta-Jones Slinks Into Netflix's 'Addams Family' Series The live-action footage was then edited and passed on to the animation team at Mielgo’s studio,, to be used as reference, since he dislikes mo-cap. After rehearsals, they were photographed with multiple cameras for a week. ![]() ![]() ![]() “It’s very interesting to see how dancers actually communicate with their bodies and how action looks extra violent because of how fast and aggressively they move.” The result is a visually pleasing, disturbing fairy tale, which involved the participation of a dance choreographer, Sara Silkins, and her team of dancers. “I wanted to build the narrative around a modern ballet,” Mielgo told IndieWire.
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